Bungie took its time, looked through the materials, and gave back the materials it did not want to keep (literally, CDs of music).
#Pokémon black and white 2 ost full#
O'Donnell gave back all the materials (CDs, mugs, etc.) he thought belonged to Bungie in full compliance with the Order. O'Donnell," O'Donnell's lawyers concluded in their response. "As the Court can surmise, this was a bad breakup between Bungie and Mr. The presentations are not Music of the Spheres, his lawyers argued, but of "precursors". O'Donnell's lawyers argued his use of the materials was "transformative" because he used the score as a "teaching tool" and interposed words and instructions over the music. In court documents reviewed by Eurogamer dated May 2021, O'Donnell's lawyers claimed his "conduct was tacitly approved by Bungie", insisting the materials he used were given to him by Bungie, were publicly available, and "constitutes fair use under the federal Copyright Act". O'Donnell's very possession of such materials proves he did not comply with the order to return 'all material' to Bungie," Bungie's motion read.īungie also noted O'Donnell posted tracks and an album titled "Sketches for MotS" to Bandcamp, where users were able to pay him a fee if they wanted to.īungie argued all this activity amounted to a contempt of court and a violation of the 2015 injunction. The contempt of court claim relates to the terms of a prior lawsuit between Bungie and O'Donnell over his acrimonious exit from the company - a lawsuit O'Donnell eventually won.īungie said O'Donnell, who was Bungie's veteran audio director until he was fired in April 2014, was ordered to return all material related to Music of the Spheres and Destiny, and was blocked from sharing or performing it as part of a 2015 injunction.īungie said "all material" includes not just Music of the Spheres in their final state, but all versions, components and variations of the tracks - that is, all material involved in any way in the creation of Music of the Spheres and Destiny.įast forward to 2019, when O'Donnell began uploading videos and other materials relating to Music of the Spheres and Destiny to his YouTube channel, as well as Bandcamp. Some of these videos were early musical sketches of what became Music of the Spheres, the much-loved musical foundation for 2014's Destiny. In April this year, Bungie served the celebrated composer behind the original Halo music with contempt of court papers over videos related to Destiny that were uploaded to O'Donnell's YouTube channel and other platforms. Album was released by The Pokémon Company.In September, Eurogamer revealed O'Donnell had been found in contempt of court over his use of Destiny assets - and owed Bungie tens of thousands of dollars in legal fees. Soundtrack consists of 173 tracks tracks with duration over more than 4 hours.
Special Thanks: Teruo Taniguchi (SuperSweep)ĭISC / TRACK NUMBER / COMPOSER(S) / ARRANGER(S)ġ.01 Junichi Masuda, Go Ichinose & Hitomi Sato / Go Ichinoseġ.02 Junichi Masuda & Go Ichinose / Go Ichinoseġ.17 Hitomi Sato & Go Ichinose / Go Ichinoseġ.33 Go Ichinose & Hitomi Sato / Hitomi Satoġ.48 Junichi Masuda & Go Ichinose / Go IchinoseĢ.04 Junichi Masuda / Go Ichinose & Hitomi SatoĢ.17 Junichi Masuda & Go Ichinose / Go Ichinoseģ.12 Shota Kageyama & Hitomi Sato / Hitomi Satoģ.30 Go Ichinose / Hitomi Sato & Go Ichinoseģ.34 Junichi Masuda & Go Ichinose / Go IchinoseĤ.18 Junichi Masuda / Go Ichinose & Hitomi SatoĤ.48 Hitomi Sato & Go Ichinose / Hitomi SatoĪlbum was composed by Го Итиносэ / Хитоми Сато / Дзюнъити Масуда / Минако Адати / Morikazu Aoki / Сатоси Нохара / Shota Kageyama / Тэруо Танигути and was released on July 25, 2012. Music Production & Supervision: Go Ichinose (GAME FREAK), Hitomi Sato (GAME FREAK), Shota Kageyama (GAME FREAK), Minako Adachi (GAME FREAK), Junichi Masuda (GAME FREAK) Included is a 24-page booklet documenting the development of Pokemon Black 2 & White 2, as well as their respective liner notes. All tracks were digitally remastered with supervision from Game Freak's Sound Team.
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